supporting the arts

In training for an Art Marathon

Getting down to the wire this weekend, as I prep for my first (art) marathon.

Friends of mine have participated before in this fundraiser for the Center on Contemporary Art (CoCA Seattle), but they have lots more experience creating work in front of a live audience. Me, on the other hand… I’m usually holed up in the studio muttering to myself as I work. So it’s a bit of a personal challenge. I’m honored to be working alongside 19 other artists, including painters Braden Duncan and Jazz Brown as well as kinetic sculptor Casey Curran.

But wait — there’s more! You’re invited to stop by and watch the paint fly on September 20th. This way, you get a special preview of the brand-new artworks to be auctioned off at the gala on September 22nd.

I’ve sketched out ideas, but details always change in the process — come see!

"Jacob Lawrence" & "Seeing Nature" at SAM

It still gets me: most famous paintings I see in person are smaller than I'd imagined. Human-scaled, in spite of their larger-than-life reputations.

I made sure not to miss "Jacob Lawrence: The Migration Series" before it moves on from the Seattle Art Museum. I wasn't disappointed. Although the pieces outline an epic change, following the paintings and captions around the room makes the exhibit feel something like a bedtime story.

JL panels.jpg

And by "bedtime story," I'm thinking more "Grimm's Fairy Tales, original gory recipe" rather than "Grimm's Fairy Tales -- now with added Disney sweetness." Intimate, but sharp-edged. I could imagine living with these paintings.

I could also see myself living with a painting by Georgia O'Keeffe or Edouard Manet... but it's not the same. Which makes me wonder: what's it like to live in Paul Allen's house? Does he pass Manet's paintings of Venice canals on his way to get coffee from the kitchen?

At first I was going to skip "Seeing Nature." Few landscapes pull me in like portraiture or other narrative works that include the human figure. But I did find a few pieces I liked. Still, "Seeing Nature" makes me think more of the names involved -- and the guy who owns them -- than the works themselves. It's more a traditional museum experience of Western culture, the kind of thing that's Good for You.

I suppose big names (Jacob Lawrence, Paul Allen) were the reason I made time to see both exhibits. But once I arrive at a museum, I prefer a spectacle in which I can find something personal.

Getting schooled, part two

First week at the day job: done! Getting used to the new routine... well, that's still a work-in-progress.

The view on the way to work. Credit: Lisa Myers Bulmash

The view on the way to work. Credit: Lisa Myers Bulmash

The morning routine has actually improved... The Boy now prefers to take the school bus, so he's out the door around the time TwoBoo wakes up. I get to spend a few minutes just hanging out with TwoBoo before school.

And I don't have to hunt for parking because I'm taking the bus... but it's taking some practice to find the right one.

No worries, though: My job is flexible enough for me to concentrate on next Tuesday's Artist Trust At Large presentation. (If you haven't already done so, register here.)

And today was a STUDIO DAY! Feeling like I'm on the right road.