Let's spend the Evening together
You heard about the house party, right? The virtual one at Wa Na Wari? We’ll have a live DJ and everything!
Artist Lisa Myers Bulmash, waiting to open her exhibit “Holding Patterns” at Wa Na Wari art gallery
I’d love to hang out with you tomorrow night at the opening reception for my exhibit, “Holding Patterns.” DJ Sureal opens the party at 6pm PST. And Wa Na Wari has made a breakout room where we can talk for a half-hour about my work on display, or just have a super-art-nerdy conversation. Then we can rejoin the DJ for the rest of the party.
Jim Dever and photographer Mark of “Evening” interview Wa Na Wari curator Elisheba Johnson
You can join us via Facebook, or you can visit through Zoom (see the Wa Na Wari website for the virtual keys to the room).
But if you really can’t make it, catch my exhibit on TV: “Evening” plans to feature me and my work at the gallery on Monday night, March 22nd. Then you can brag to your friends on Tuesday about all the fun they missed!
Getting a city to buy your artwork
“Your Honor, the jury has reached a verdict: we need to spend money on art, for the good of Seattle’s residents, its employees and its artists. The following are the artworks we recommend the city adding to its art collection...”
Artist Colleen Monette’s reaction to learning her collage will enter Seattle’s municipal art collection.
Okay, it didn’t actually go down like that. But it did take a while for me and four other art professionals to review the applications — 816 of them, with one to four artworks submitted per application. It’s usually between 100 to 200 applications. But a check from the city for your art looks really good while COVID-19 keeps people at home and spending less.
A mural on a boarded-up business reminds viewers that the coronavirus quarantine will end soon.
Here’s what I learned, as a panelist, that might strengthen your application next year.
Submit at least one ‘challenging’ work: Yes, even for an office setting. I remember an artwork with clear references to European colonialism, and it still made the final cut. The hope is that the work prompts uncomfortable but important conversations and action, from visitors and employees alike.
Avoid overthinking your art submission: Never mind picking “office-friendly” art. Submit at least one piece you love, even if you’re sure it’s too weird/ dark/ whatever. One application contained a single artwork that would probably fit into any office. We didn’t pick it.
Give it another shot: Apply again next year, especially if the panelists change every year. That means new people who might choose artworks totally unlike what the city already owns. Also, city art budgets expand and contract. It’s very possible the jurors adored your work, but ran out of money this year.
One last thing: signing up for an arts organization’s mailing list is worth it. You’re less likely to miss out on — or miss the deadline for — an opportunity that’s crying out for your work. Congratulations to Colleen Monette and the other selected artists!
CoCA Magic: who pulled off the hat trick?
I finished all three pieces I intended to create during the CoCA Seattle art marathon… but I used every last minute. And I wasn’t alone in that. If I remember correctly, when I left at 10:30am there were at least five or six other artists still scrambling to complete their works.
Before I drop from exhaustion, I’d like to remind you we’re auctioning off these brand-new artworks in just a few hours:
Join me at the auction and we’ll see if all the artists made deadline! But first: sleep!