art collection

Artwork purchase: and the new owner is...

I can give my crossed fingers a rest now: “Relatively Progressive” now belongs to the city of Shoreline!

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The city will add my collage to its permanent art collection! In addition to my work centering the civil rights leader Edwin Pratt, Shoreline acquired two other pieces from the “Living the Dream” exhibit: Kemba Opio’s “Sunday Living”…

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… and “A Brighter Tomorrow” by Vincent Keele.

Vincent Keele with Sarah Haycox, who helped name a Shoreline early education center after Edwin Pratt

Vincent Keele with Sarah Haycox, who helped name a Shoreline early education center after Edwin Pratt

I’m so thrilled to have created a collage that speaks to the African American presence in Shoreline, as well as the city’s present-day reckoning with its past. Public art coordinator and curator David Francis and I have had some illuminating conversations in that regard. And I’m grateful to the Black Heritage Society of Washington, which holds the original image of Edwin Pratt I used in “Relatively Progressive.”

"Living the Dream" exhibit: Fingers crossed...

“Living the Dream, Dreaming the Life” closes today, but I’m not sad. I’m like 99% sure I don’t have to bring home “Relatively Progressive”…

“Relatively Progressive,” 2019, by Lisa Myers Bulmash.

“Relatively Progressive,” 2019, by Lisa Myers Bulmash.

… because someone’s very interested in adding it to their collection!

As I said earlier, I felt almost compelled to create a piece for this exhibit: I use family photos in my work as often as I can, most recently in the Liberty Bank Building portraits. So it was a treat to use images from the Pratt Family Legacy Collection.

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There’s a possibility someone else is interested in “Rare & Exquisite (CA)” as well.

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Let’s hope both go to new homes, yeah? Fingers crossed.

Next step for my "Evolution"

When a Good Thing happens in my life, sometimes I like to hug it close for a day or two before I share it. That's why I took a day to savor this news: one of my collages is going to live in a Seattle city art collection!

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"Waterfront Evolution" was purchased for the Seattle Public Utilities Collection, through a program of the city's Office of Arts & Culture. The collage joins a collection that includes work by emerging and established artists like Mary Ann Peters, Kara Walker, Barbara Earl Thomas and Dale Chihuly.

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Artworks in this collection are portable so they can rotate throughout municipal buildings. So there's a good chance you'll see my giraffes in a waiting room, or while you're paying a bill, or in a meeting room. Not sure yet where the collage will go first, but I figure there must be a calendar or tracking system that'll tell me. And that bit of info I'll share right away!