collage series

In the "Red" at Ghost Gallery

If you’ve ever dreamed about seeing a butterfly swarm up close…

… you’re in luck. Next month, you can see a gallery-full in “Red List: Moths & Butterflies” at Ghost Gallery. And when I say ‘gallery-full’, I mean it — I’m one of 60 artists showing work in this exhibit. Have you seen the endangered butterflies in my “Rare & Exquisite” series in person?

Detail of dotted skipper-human hybrid, “Rare & Exquisite #4” by Lisa Myers Bulmash

Detail of dotted skipper-human hybrid, “Rare & Exquisite #4” by Lisa Myers Bulmash

This one, based on the dotted skipper, is part of Ghost Gallery’s show on endangered moths and butterflies in Canada, the United States and Mexico. A percentage of proceeds from the show will benefit the Xerces Society’s work to protect these animals and their habitats.

“Nightshade Pillow” by Carmen Cano (via Ghost Gallery)

“Nightshade Pillow” by Carmen Cano (via Ghost Gallery)

Inside a private art studio visit

When was the last meeting you had that made you this happy?

An art collector savoring his new purchase after a studio visit

An art collector savoring his new purchase after a studio visit

When you visit an artist’s studio, you get to see whichever artworks you like, not just the one or two I’ve submitted to an art exhibit. It took a year to arrange this private meeting: not because it’s a complicated process, but because we all have lives outside of receptions and art fairs. (I know — art world blasphemy.)

Seattle Art Fair 2019

Seattle Art Fair 2019

Luckily, we ran into each other again at this year’s Seattle Art Fair. That gave us a chance to coordinate our calendars. I’m not able to do open studio hours, so I emailed him three openings in my schedule.

LMB & art collector-studio visit.jpg

This collector didn’t ask to see a specific artwork, or go down a studio visit checklist. What he asked about were the backstories: he got to know each piece. So the visit was more about recognizing the pieces he loved.

In-situ photo of “Safe/ Not Safe (Semiahmoo).” Photo credit: Diane Venti.

In-situ photo of “Safe/ Not Safe (Semiahmoo).” Photo credit: Diane Venti.

And that’s the thing: this art is going to become part of your life. So I get that it may take more than one visit for someone to find the piece that’s going to move in with you, so to speak. You can get my undivided attention via text or email. And then it’s a date… well, not a date date, but an appointment with your artwork destiny.

"Tourist": off to a new home

Looks like I spoke too soon about “Tourist” coming back from New Jersey: it’s going to someone else’s home. I just got word a new patron purchased the collage!

LMB_Tourist.jpg

(Bonus: I won’t have to pay any return shipping costs!) Again, many thanks to the Long Beach Island Foundation and exhibit juror Dr. Louis Marchesano of the Philadelphia Museum of Art. The best part of this news is that I have more room in my studio to work on new pieces. Excuse me while I go make good use of this art mojo…