I am a visual artist working in collage, assemblage sculpture and altered books. My practice explores identity, memory and the history of the African diaspora. Vintage and contemporary images collide to convey how the past informs the present.


Good/ Mourning, Thanksgiving

Good/ Mourning, Thanksgiving

I still want to torch 2020 on a big ol’ bonfire, but I’m a little shocked to realize The Worst has not happened (yet). I know many people are in mourning for various reasons, which has me conflicted about the few bright spots.

“Janus: Value” in the collector’s home. Photo courtesy Korey McLeod.

“Janus: Value” in the collector’s home. Photo courtesy Korey McLeod.

On the one hand, I’m thrilled that “Janus: Value” now lives in Washington, DC, at the home of Korey McLeod. Actually, that collage wasn’t even in my solo show at Morton Fine Art. But after visiting the gallery, Korey found it on my website and asked if it was available. I’m deeply grateful for the support, especially during the pandemic.

Credit: All My Relations podcast/ Instagram

Credit: All My Relations podcast/ Instagram

Speaking of COVID-19, the virus has claimed more Indigenous (and Black) lives than in any other group. So family gatherings with people outside your household are not a good idea; neither are public events critical of Thanksgiving. This year Un-Thanksgiving at the University of Oregon, the annual Sunrise Gathering at Alcatraz Island and the National Day of Mourning all went online.

Understatement of the year: What a bittersweet holiday. For those who can access it, a Zoom gathering might help to ease the separation. But I think old-school phone calls, to share the good and the bad, might be better for me in this exhausting year.

Black Girl Basel: If you can't meet 'em, join 'em online

Black Girl Basel: If you can't meet 'em, join 'em online

Riding the second wave of museum closures