Art fair prep: bringing my best to Best of the Northwest

I'm putting the final touches on a few new pieces as I get ready for the October act of Best of the Northwest show.

Trying something new for this show.

And by "trying something new" I mean "not making new work up until the last minute so I don't get stressed out." But as you know, the tasks expand to fit the time available (about 22 days -- eek). So I'm keeping myself busy tying up loose ends. Details you'll need to know:

DATES: October 24, 25 & 26 (Friday-Sunday)

TIMES: 10am-6pm Friday & Saturday, 10am-5pm Sunday

WHERE: Magnuson Park, Hangar 30

TICKETS:  Brown Paper Tickets (notice the special deal if you bring a friend!)

 

Just print the info out and bring it with you. Let me know you plan to attend; RSVP here. You'll see my work plus that of more than 100 other artists

And here's the kicker: your ticket to my show gets you in FREE for the next show November 14-16, where you'll see work from another 110 artists! Looking forward to seeing you...

New site for Lisa MB!

TA-DAAAA!

You can find my artwork by section:

• assemblage
• collage
• altered book.

And if you want to contact me, see where I've exhibited or read a little of my backstory, click on "Info" in the navigation bar. Poke around a bit -- it's all new and shiny (except for the parts that are intentionally grubby).

August changes: You say goodbye, I say hello

I knew I'd learn a lot in my first few months as a full-time artist, but MAN... I had no idea how much I'd learn.

Homework. (All photos by Lisa Myers Bulmash)

I'm still absorbing an ocean of information and business practices from the EDGE professional development program for visual artists. And like most educational experiences, you learn nearly as much outside of class as you do inside class.

Fellow EDGE grad Lorri Falterman presents her art to the public

To keep you from drowning in information if I told you everything I've learned in the past six weeks of professional development, I've cut it down for you.

Make more art: Yes, you also have to promote your work. But once you get into that group show or art fair, you'll need something to show/sell. Bonus: remember how great making stuff feels?

Work your network: Through one person in my artist network -- Alicia Harvey...

Painter Alicia Harvey and me, after my EDGE Grand Finale talk

I met artist Vikram Madan, who's exhibited his gleeful, colorful paintings all around the Seattle metro area. What a great gift to have a friend like him, who likely knows of a gallery that aligns with my own art!

Vikram Madan presents his work at the Grand Finale

Don't devalue your work: Paradoxically, pricing too low makes your art look less valuable. Look around at your competition's prices. You may have to move the price around a bit before others realize what a gem they've found in your shop/gallery.

Safety first: Wouldn't it be horrible if you packed all your original artwork carefully... and then let everything slide around in the back of the car? Use the bungee cords. They are your friends.

Bungee cords and a hand truck help you save your strength for important things: more art-making.

Write it off: (This one's my favorite.) If you're a professional artist, you can write off that museum membership.

And the framing costs for your two-dimensional pieces. And a trip to take photos for a new body of work. The trip to Tahiti to follow in Gauguin's footsteps, though... you better keep every last receipt to prove the trip is art-related.

So what did you learn during summer vacation, class? Tell me in the comments, or on Facebook.