art practice Lisa Myers Bulmash art practice Lisa Myers Bulmash

Liberty Bank co-founders: George Tokuda

I'm starting to make faces -- collaged faces -- for the Liberty Bank Building portrait series.

This is George Tokuda, one of the original Liberty Bank's nine co-founders. He and his family owned Tokuda Drugs, a longtime fixture of Seattle's Central District. community.

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His daughter Wendy Tokuda was kind enough to send me the original photo of George; she remembers "how proud he was to be on the bank board. It’s where I got my college loan!"

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George was a native Washingtonian, born around 1913 in Mukilteo where Japanese immigrants worked for a lumber company. The area (now a hiking trail and nature preserve) is still known as Japanese Gulch.

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George's family later moved down to Seattle, where he opened the drugstore in 1935. But as a Japanese American in the Pacific Northwest during World War II, he was one of thousands rounded up and sent to the Minidoka internment camp in Idaho.

Photo credit: Minidoka Historical Site/ NPS

Photo credit: Minidoka Historical Site/ NPS

Learning how much George gave to his communities -- and how much was taken from him -- I find the city of Mukilteo's logo and welcome sign painfully ironic.

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So I altered my photo of this lighthouse sign...

Photo credit: Minidoka Historical Site/ NPS

Photo credit: Minidoka Historical Site/ NPS

... replacing the lighthouse tower with the ruins of the Minidoka guard and entrance gate.

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I'm deeply grateful to Wendy Tokuda, the Mukilteo Historical Society, HistoryLink and the Liberty Bank photo archives for the opportunity to honor Mr. Tokuda. 

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Resin-ating with history

I'm gonna have some fun with newsprint and resin paper. Have you ever tried this technique?

I plan to use it in the collage portraits I'm making for the Liberty Bank Building apartments. If you've seen my work, you know I often layer translucent images over patterned paper and other materials.

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For this project, I get to incorporate newspaper clippings about the bank from that time. Not the originals -- I'm copying the images onto newsprint. 

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I'll add fine art paper to the collages for color, mostly from my current hoard. (It's not "hoarding" per se if you use it eventually.) 

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Later, I'll start piecing together "suits" for each founder. My paper stash gives me a lot of options here, but I may have to pass up some of my favorite patterns. These folks were founding a bank in the late 1960s, after all. I'll try to avoid anything too wild, but again... no promises.

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Makers gonna make... at a slower pace

For the first time in maybe two years, I have only one project to work on: collage portraits for the Liberty Bank Building. 

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I enjoyed people-ing at the "Locally Sourced" reception, and sharing my butterflies with everyone.

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But my brain craves alone-time, preferably in the studio.

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So I took a week or two not doing much of anything, as the experts suggest you do after a big project. It's been a welcome change not to finish something in a week, or schedule events that won't happen for months in the future. Still a few deadlines, but they're not within days of each other. 

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It might take a few more months of this: my brain refuses to attempt more abstract things like goal-setting. So I intend to keep things low-key (ha!) for the summer, but I'm not making any promises.

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